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"Come and sit by me. You can spare me a few minutes," she says, drawing her ample skirts to one side. Mona, taking her hand from Lauderdale's arm, drops into the proffered seat beside his mother, much to that young man's chagrin, who, having inherited the material hankering after that "delightful prejudice," as Theocritus terms beauty, is decidedly epris with Mrs. Geoffrey, and takes it badly being done out of his tete-a-tete with her.,Mona pours out the tea—which is excellent—and puts in the cream—which is a thing to dream of—with a liberal hand. She smiles at Geoffrey across the sugar-bowl, and chatters to him over the big bowl of flowers that lies in the centre of the table. Not a hothouse bouquet faultlessly arranged, by any means, but a great, tender, happy, straggling bunch of flowers that seem to have fallen into their places of their own accord, regardless of coloring, and fill the room with their perfume.,"Go and dance, my dear," he says, quickly, in a tone that decides her. It is to please him, for his sake, she must do this thing; and so, without any awkward hesitation, yet without undue haste, she turns and lays her hand on the Australian's arm. A few minutes later she is floating round the room in his arms, and, passing by Geoffrey, though she sees him not, is seen by him.,"No. But there will be when Captain Rodney marries. And Lady Rodney says I have no claim to the name at all. I am only Mrs. Geoffrey.","She is very absurd, and more troublesome and unpleasant than anybody I ever had in my house. Of course the duchess did not want to see the water. She was talking to old Lord Dering about the drainage question, and seemed quite happy, when that girl interfered. Common courtesy compelled her, I suppose, to say yes to—Mona's—proposition.","What's the matter with them?" says Mona, with some pardonable impatience.,"I have no card but my name is Geoffrey Rodney," says the young man, turning to his companion.,"You would turn a farce into a tragedy," he says, mockingly, "Why should I bribe a servant to let me see an old room by midnight?","Go," she says, again, entreatingly, still with her hand on Geoffrey's breast, as though to keep him back, but with her eyes on Paul.,Another pause. Mona is on thorns. Will the branching path, that may give her a chance of escaping a further tete-a-tete with him, never be reached?,CHAPTER XXVII.,"But I have to do with him," says Mona, distinctly..